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These stories date from the last eight years of D.H.Lawrence's life. Their sheer energy and natural beauty-evident particularly in 'The Princess'?Ahis story of sensual awakening set in ltaly?K?KSatirical and often cruel,but always rich and resonant,they are,as Keith Sagar points out in his introduction,a reflection of D.H.Lawrence's movement 'away from realism towards myth and fabld'-a journey that ended with his premature death in 1930?K?K
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